Saturday, 13 March 2010

Photographs of actors for magazine cover

When I conducted my analysis of Empire magazine front covers I gained some basic ideas on how to compose mine. Whilst my group was shooting the trailer I took some photos which I could use for the magazine and website front page. There were two options with regards to the pose which I had developed from the research. One was with the two main characters facing away from each other, back-to-back. And the other was with them facing towards each other. I got the two actors to pose against a white wall so that I could easily cut them out using the magic wand tool on Photoshop and then superimpose them into another scene or onto a plain background.

Photo 1

This was the first photo I took and I went for a whole body shot with the two actors back-to-back. My first thoughts were that I liked the back-to-back look but based on Empire’s conventions using a full body shot is rare. This is because with a medium close-up (MCU) which Empire generally use the audience can identify more strongly with the characters as their facial expressions and other non-verbal communication are more defined.

Photo 2

This was my second photo in which I went for a MCU framing as a result of the first photo. This one looked a lot better and actually ended up being my favourite photo. The actors touching each other shows unity between them and promotes an ‘I’ve got your back’ attitude. This establishes a relationship between the characters for the audience. The MCU framing also provides a little more intimacy between the audience and the characters which should result in a desire to know more about them.

Photo 3

Photo 3 is the same framing as photo 2 but I decided to try it without the flash. I had a couple of ideas for the background of the magazine cover and so I needed a slightly darker hue just incase I used an inside or darker location for the background. Doing this allowed me more choice when it came to choosing the background.

Photo 4

This is the last style of photo I took which was with the characters facing each other. My feeling on this one was that it showed the wrong kind of relationship between the characters. Facing each other implies a more romantic relationship whereas back-to-back implies a ‘partnership’ which is what their relationship in the film is. For this reason I decided not to use the characters facing each other on my magazine cover.

Wednesday, 10 March 2010

Progress report - final planning for the shoot

Over the past couple of weeks my group has been putting the final touches to the pre-production in preparation for our shoot. Firstly we had to choose the locations we were going to use for our shoot and so spent some time out of class on a recce looking at possible locations. We also took photographs in order to see whether it matched the storyboard and so that we could get an idea on how the shot would look. Once we had chosen the locations we then had to draw floor plans for each. We tried to make the floor plans as detailed as possible including lights, light switches, doors, power points, fire extinguishers etc. From this we were able to more accurately plan the best and safest places to film our shots from and do a risk assessment on each location.

We also had to find an actor and actress which have caused a few problems along the way. Our first actor pulled out 5 days before the shoot and so we had to find a new actor. We did find someone but also asked another person if they could act as a standby incase anything went wrong. This turned out to be a very good move as our second actor also pulled out 3 days before the shoot so we turned to our standby. The actress was quite easy to find as she was a member of our media class and I had used her in one of my productions last year and so knew her abilities would meet our requirements. However we found out the day before the shoot that she had double booked herself. With a quick shuffle of the production schedule we worked out a way that we could film her scenes first which solved the problem.

After choosing the locations we had to inform the college through our lecturer of which rooms we would be using and when so that we could be sure they were free, unlocked for us and that the college staff new what we were doing. Whilst creating the production schedule we decided we would need to shoot over two days as we needed some night shots and wouldn’t have time before the college closed to get everything in. Our actress could only do the first day of shooting so we had to make sure her scenes were shot that day. However, as was mentioned above she had double booked herself and didn’t realise until the day before the shoot so I pulled her scenes right to the front of the production schedule and then informed the college again through my lecturer of the revisions that needed to be made in as far as when some of the rooms needed to be open. Though these problems were inconvenient we managed to overcome them competently due to good planning, clear schedules and identifiable lines of communication.

I made a list of the resources we’ll need for the shoot and then we worked out where each of these items were going to come from. In terms of props for example we needed a camera, torch, chair, rope and lamp. We also attained a wheelchair in order to help with tracking and dolly shots. The final things were the camera equipment which was available to borrow from the college once appropriate notice had been given. Each item has been accounted for and so this aspect of the shoot is also ready to go.

During the last week or so we have also made our final copies of the script, dual column script, and storyboards. With these in place all the visual and audio aspects of the film are planned and merely need to be obtained now during the shoot. Having the trailer mapped out so clearly should help the shoot to run smoothly and efficiently with no time wasting. It should also mean that we end up with a finished product that looks professional and that the group is happy with.

Monday, 1 March 2010

Progress report part 2

In the last couple of weeks my group has mainly focused on the script and storyboards. It was essential we got these finished as soon as possible so that we could get on with booking rooms and finding actors and props. After numerous drafts and around 4 meetings out of class as well as the work done in class a storyboard was finally agreed on. This process has taken up the most time of any part of the pre-production process and with the rough draft completed and agreed on we have been able to get on with other things.

Each member of the group did a chracter analysis for each of the characters in the trailer. From a practical sense this was mainly done to inform some of the visual aspects such as dress codes and non-verbal communication for the characters. I researched the male antagonist and used the character Jack Torrence from The Shining (Stanley Kubrick, 1980)as an example. This revealed some interesting information about the relationship between the power held by the antagonist compared to that of the protagonist(s) and the fear produced in the audience.

The next week will be spent organising the shoot for the film and finishing off the textual analysis of current media forms. I will finish my audience analysis and draw up a schedule for the shoot soon as well but we'll need to book the rooms annd equipment and find the actors first. The final drafts of the dual column script and storyboards must also be drawn up.

Monday, 15 February 2010

Film Magazine Research


Empire Magazine is published by Bauer Consumer Media and is the biggest selling film magazine in Britain consistently outselling its rivals such as Total Film (Future Publishing) and Sight & Sound (British Film Institute). It covers both mainstream films and the more arty productions but as it is produced by an independent company the former is generally the focus whereas a magazine such as Sight & Sound tends to look at the maybe less prosperous but more innovative films.

I am basing this research on three example issue covers Iron Man 2 (January, 2010, Issue #247), The Joker (January, 2008, Issue #223) and Spider Man 3 (January, 2007, Issue #211). There are some common trends in these magazine covers such as having the magazine name across the top of the page. This is due to the rule of thirds as the power structure on the page is at its strongest top left and gets weaker as it moves to bottom right. The production company’s first job is to sell their magazine and as such they must make sure the consumer can easily see that the magazine is Empire. The date and issue are always placed in the same place in the dip of the top of the M of Empire and this consistency makes it easier for the consumer to check which issue it is.

After this the actual content of magazine cover varies but the structure is always fairly similar. There is always a particular theme for the front cover which is usually based around the film that is elliciting the most media and public attention at that time. In the Spider Man 3 and Iron Man 2 issues the main protagonist from the film is used on the front cover which is more often than not how Empire sets up the theme. However the Dark Knight Issue differs as it has the main antagonist on the front cover but there is a reason for this as Heath Ledger who was originally playing this character but died part way through filming so their was more public interest in this character at the time. Each of the main characters on the front cover are set in costume and in front of a background which whether by actual objects or merely colour scheme relates to the theme of the film and it’s genre. For example, the Iron Man 2 cover’s background is predominantly blue and black around the character itself. This is because the character is built on power and enormous amounts of energy so the theme of lightning has been used to portray this theme.

One of the more differentiated ideas that Empire employ in all their magazines is also matching the style of the text on the page to the theme. This again is most noticeable on the Iron Man 2 cover with the electric blue and lightning style used for the magazine name itself. But it is also noticeable on the other two covers as well however with clear colour themes running throughout the text that match the characters on the cover, for example green writing on the Joker cover and black and white on the Spider Man 3 cover.

The main character is always set in the middle of the page in varying poses but always looking straight at the camera to give the effect of the character looking at the consumer like an extra-diegetic gaze. This works on Louis Althusser’s (1971) main theory of interpellation in which the magazine calls out to the audience in this case through the direct connection of the gaze between cover model and viewer. Once the audience’s attention has been grabbed they are more likely to take an interest in the magazine and subsequently buy it.

Around the character the subtitles and other text is placed some of which relates to the film advertised on the issue cover itself and some of which relates to other features and articles within the magazine. In the examples above there seems to be generally a few lines of text either side of the characters’ heads or upper torsos which shows a clear relationship between the text and the picture. Then adjacent to or covering the lower torso and below are around two or three captions advertising the other articles and films featured in the magazine.

There are a couple of points about the Empire magazine cover format that have made me decide to make it the basis of the magazine cover for my film. To begin with the idea of using the main character(s) as the main focus is one that resonates with me as being logical and it is also something that will be fairly easy for me to shoot. Secondly the Empire covers allow for a good amount of creativity when it comes to choosing colour schemes, font and text variations and backgrounds. Being able to personalise the cover in this way and set up the theme I’m trying to portray provides the right balance of simplicity and creativity that means I will be able to create a professional looking magazine cover in the short time frame and with the limited skills I have in this area.

Thursday, 11 February 2010

Progress Report - Pre-production

The media coursework was officially set last week and in this time myself and my two partners have been working hard on the pre-production planning and paperwork. We all created an idea for the campaign to focus on and conducted an analysis of each using a SWOT in order to ascertain which production we should proceed with. Due to factors such as how capable of filming the production we were with our limited skills and resources and which would work best as a trailer we decided to use my idea.

Once the basic idea was decided on we had to then carry out research so we could develop it into a full product. I researched three professionally produced trailers for current media products namely Cloverfield (Matt Reeves, 2008), Inception (Christopher Nolan, 2010) and Inglourious Basterds (Quentin Tarantino, 2009). This research provided a great deal of insight into the different narrative structures that could be used in a trailer. For example Cloverfield uses a continuous timeline from a fairly small section of the film, Inception uses a discontinuous timeline in which significant parts of the film are put together like a montage and finally Inglourious Basterds uses a mixture of the two with a continuous speech from Brad Pitt running throughout but also with clips from throughout the film added in with the speech running over them.

From this research we decided to use a narrative structure similar to that of Inglourious Basterds with some continuity but also with other clips from throughout the film put in. The continuity within our film stems from a section of dialogue which our female protaganist says. The extra clips are going to be used in order to enhance the meaning behind the speech and hopefully the combination of these will build lots of tension within the audience.

Further parts of our production were also guided by the research, for example whether to use diegetic sound, non-diegetic sound or both. Cloverfield used purely diegetic sound which did add to the verisimilitude of the production, Inception used purely non-diegetic sound in the way of music which greatly added to the tension and Inglourious Basterds which again is the one we decided to follow used a mix of diegetic and non-diegetic sound. This is a fairly conventional format for a trailer and hopefully this will lead to the audience being able to identify with and understand the messages we’re trying to portray through the trailer such as that of high tension.

Research into the advertising codes of practice and UK legal frameworks which might affect our production. The main thing we picked up from this was concerning the BBFC classification which would suit our film most appropriately. We had originally decided the film would be an 18 and the trailer a 15 because films that fall within the genre of thrillers are often in this higher age category. However, after looking at such variables as the tone and impact of the production, discrimination rules and rules regarding sex and violence amonst others we decided to classify our film as a 15 and the trailer as a 12A. This is because the content within the film idea and the content actually in the trailer seemed to lie within the rules governing the 15 and 12A age restrictions respectively.

After the initial planning and research was done we had to begin to actually develop the idea and put it down on paper. Up unitl this point the production idea was nothing more than a collection of vague shots that we could possibly use which made this part of the pre-production process probably the most difficult. The main contentions we faced were whether we were capable of filming the ideas, whether they created enough tension and whether they were actually layed out in the style of a trailer. The first idea for example ended up looking too much like an opening sequence and while this could be used as a trailer it did not meet the plan we devised from the research.

Wednesday, 23 December 2009

Analysis of 5 Web 2.0 Sites

Facebook

Facebook is a social networking site which allows its users to create online identities and connect with others so that collective identities are formed. Though many of the collective identities that could be found on Facebook will be constructed of a heterogeneous group of people for the most part, they will be joined by certain common threads. This may be through demographic links e.g. where they live, or psychographic links e.g. hobbies. On Facebook people create these collective identities by joining groups or networks in which they can talk to other members of the group or add to the material on the group page.

An example of a psychographic collective identity formed through a Facebook group may be achieved by the group ‘Students against higher tuition fees’. I joined this group earlier this year and in doing so became a part of the collective identity. Millions of groups have been created on Facebook and there are any numbers of reasons as to why we would join any of these. Louis Althusser’s theory of interpellation could explain the formation of collective identities through groups such as those on Facebook. The title of the group must in someway shout out to the reader in a way that makes them identify with the message on a personal level. If this is achieved then they are likely to join the group and become a part of the collective identity. For example, in the aforementioned group that I joined the word ‘students’ immediately made the group call out to me personally and then this was followed up by a topic of interest to me ‘higher tuition fees’. Subsequently I joined the group and the collective identity attached.

The theory of interpellation is a way of explaining the initial attraction of the group to an individual. However, Pierre Bourdieu’s theory of cultural capital could be used as a way of explaining reasons for joining such a group at a social level. By joining the group you are essentially endorsing the message which the group ‘embodies’. In this way you can not only add to the collective identity built by people with similar interests, but you can also build your own personal identity as people will be able to see you’re a member of this group and thus accept it’s values.

You Tube

You Tube is another site which has evolved during the Web 2.0 era. On this site collective identities are formed through uploading and responding to videos. Members can subscribe to other members’ channels if they like the type of text they upload. By watching, rating and/or commenting on a video, the user develops the collective identity based around that particular video and possibly to some degree the collective identity centred on the person that uploaded it. People that use this site can upload material that includes them, but if not then its content will still work within a discourse familiar to them.

The individual members of collective identities generally work within similar discourses. This is often the determining factor in the formation of collective identities as it relates to the way topics are dealt with, rather than the topic itself. So though there are not clearly drawn out groups, detailed individual identities or networks of friends like with social networking sites there are still collective identities formed due to the text working with common discourses. You Tube has been at the forefront of turning consumers into producers. This has allowed for more accurate representations of current society as they can represent themselves using discourses they understand.

The members of collective identities on You Tube are again likely recruit their audience through the interpellation process. By calling out through the title and/or the initial still that is shown with the title the text will recruit its audience by connecting with them at a personal level. An increasingly large part of the You Tube appeal is the ‘remix’ culture which fits in nicely with Judith Butler’s ‘Queer Theory’. Audiences are very complex entities in the digital era and many of the collective identities formed via You Tube, possibly more than anywhere else at this time, result from ‘sweding’ videos or music often for a comedy effect by playing with the narrative structure and general plot of the text.


Blogger

Blogger is a website which allows members to post blogs on topics of their choosing. They can then follow other blogs and others can follow theirs. It works on a smaller scale than social networking sites as the material written is likely to be more esoteric in nature. The main difference between blogs and social networking sites is that blogs are generally used to write larger amounts of content that often follow a similar theme. In this sense blogs can obtain firmer collective identities as the material written and discourses used are likely to be more common to the groups. The followers of a particular blog are likely to have fairly homogeneous views regarding the topic at hand.


An example of a collective identity on Blogger may be my media class. We use Blogger in order to compile our work digitally so that an external moderator will be able to access it easily. There is a clear common discourse regarding media from which our work stems as this is the purpose of our blogs and much of what each of us know comes from a common source being our teacher. The approach of everyone’s work is different but the discourse is clearly the same and as such we comprise a specific collective identity on Blogger.

For this particular example Althusser’s theory would not explain the formation of the collective identity as we did not join by choice. However, Bourdieu’s theory of cultural capital could still be applied to some extent. We use the blog in order to showcase the work we are producing during the second year of A-levels. Therefore the quality, style and amount of work could all be used as a form of embodied capital within the group, or in relation to the moderator.

Twitter

Twitter is the latest phenomena to emerge as a result of Web 2.0. It has been developed as a reaction to the increasingly interactive lives people are leading. The proliferation of wireless technologies allowing internet access anywhere and anytime has made a site such a twitter possible. The basic concept is that members post their thoughts throughout the day in 140 characters or less. Members can then follow other members and be followed by them. It can be a way for friends to interact on a regular basis but the largest collective identities have been created through the celebrity members of the site.

Stephen Fry for example has grown to become one of the most followed people on Twitter due to his interesting and often witty comments. With the growing celebrity culture that has enveloped our society Twitter just provides another way for a collective to enter the lives of an individual (celebrity). Followers of a person on twitter can respond to their posts and in this way interactive debates can result leading to the development of collective identities. The homogeneous traits that lead to the formation of collective identities on Twitter are likely to be almost completely psychographic as the site is built for the sharing of thoughts and feelings.

I would again say for this example and Twitter as a whole that embodied capital is the theory that can best explain the process behind the formation of collective identities. If we consider the extent to which the celebrity culture now grips our society alongside the statement ‘knowledge is power’ then knowing celebrities inside out surely brings with it some form of cultural power within a social group or collective identity. Twitter provides an illusion for ordinary members or the public that they are in a sense friends with the celebrities. They can hear their thoughts and interactively converse with them and this provides a reason for the collective identity and the power that the members receive from it.

Review Centre

Review Centre is a website on which users can read and write reviews on everything from films to gardening. It is a way for people to attain and share information on particular topics which are likely to be esoteric in nature. Unlike the social networking sites this site is not a place for users to create and broadcast personal identities but merely a way to share knowledge and opinions on a variety of topics. Collective identities are still formed on this website to some degree as multiple people will write on and read about the same topic.

For example, there are currently 158 reviews on ‘The Twilight Saga: New Moon’ which was released in November 2009 and directed by Chris Weitz. Though these 158 reviews are likely to be comprised of divergent views they are all concerning this one film and subsequently a collective identity is formed around this common thread. The collective does not necessarily have to have mutual views on the topic at hand, and in this case most don’t, but there merely needs to be an interest in some shape or form on a common topic.

The collective identities formed on review sites are different from any of the other sites I have mentioned as the views and even the discourses used to approach the subject matter can vary greatly. Nonetheless there is still a common topic at the heart of the debate and as such all the collective have an interest whether it is detrimental or favourable. Though the views of the collective are antipathetic they can still be considered as part of a collective identity in this case based on the reviewing of a particular film.

Althusser’s theory of interpellation and Bourdieu’s theory of cultural capital are again the best ways to describe the formation of collective identities this time within a review site. The topic up for review becomes the item that calls out to the audience thus grabbing their attention and sparking an interest to write or read the reviews. Then secondly on a social level using the idea of embodied capital this may be again a way of gaining some sort of power. By getting their personal views across and maybe influencing the thinking of another they can spread their concepts and thus become more powerful as they, on a small scale, have a follower.